These designs were never used in the final production of American Gods, but they’ve stuck with me more than most. Each one holds something personal—shapes, textures, and tones that came from instinct more than assignment. They weren’t built for approval; they were built to explore.

Some of these pieces feel like they’re still moving, even when they’re standing still. Maybe that’s why I keep returning to them. They remind me what design can feel like when it’s driven by intuition rather than expectation.